Tuesday, December 3, 2013

The Four Witches


We learn in class that 80,000 people were accused of being witches, but about 40,000 of them were actually executed. These executions normally were punished by burning at the stake. Such as the image above, in the image it is four witches who were burned at the stake at Wittenberg in 1540 (CP). The four were accused of commerce with the devil and of directing magic against their neighbors (CP). Whether or not “magic” really happens, there were many super situations that easily led someone of being accused of witch craft. Or if you had series of bad luck such as the example Dr.Wolbrink had in class, when the woman’s husband died 3 months after their marriage in a fire, or even after the fact when she remarried, her second husband ended up abandoning her with his first wife. Let’s say you were just weird, you could’ve have been a witch who associated with the devil. Once you were accused, for an example at the age of 20, you wouldn’t actually go to trial until your 40s or 50s. Therefore clearing your name actually took a long time. That probably explains the numbers of people who were accused compared to the lower numbers of people who were actually executed.

 

Source: Course Packet

Thursday, November 21, 2013

The Interior Castle



          The Interior Castle also known as The Mansions is a book by St. Teresa of Avila. It was written in 1577. The book came about because of an revelation St. Teresa has from God of a crystal globe in the shape of a castle. The castle consisted of seven mansions, which in her riding she interprets as the journey of faith through seven stages, ultimately ending with a union with God. The Interior Castle is often described as a guide for those who want to really understand and seek prayer as a mystical union with God.
          The seven mansions consisted of many different things. The first three mansions are considered to be ordinary prayer or active prayer. The first mansion is a souls state of grace. The second mansion is called the "Mansions of the Practice of Prayer" because the soul seeks to advance through the castle by daily thoughts of God.  The third mansion were the "Mansions of Exemplary Life" characterized through the divine grace of love for God is so great  the soul has an aversion to both mortal and venial sin and desire to do works of charitable service to man for the ultimate glory of God.
           The fourth through the seventh mansion are considered to be mystical or contemplative prayer. The fourth mansions are a departure from the soul to what it gains as God increases him role. The fifth mansion incipient Union where the soul prepares itself to receive gifts from God. The sixth mansion can be compared to loves. And the seventh mansion achieves clarity in prayer and a spiritual marriage or union with God. The picture to the left is of the book The Interior castle. The picture to the bottom of this text is of St. Teresa of Avila.



Flagellant Master Leads His Band of Followers Through a City



     This image was in our book on page 277. I have had trouble finding information about this image, I can only seem to find sites trying to sell copies of it. However I chose this image, to give the readers of this blog (I know there are many) an image of flagellants during the 16th century. The definition of flagellant is, one who scourges himself by way of religious discipline or penance; esp. one of a sect of fanatics (Latin flagellantes) that arose in the 13th century (OED). A sect arose in the thirteenth century calling themselves Flagellants, because the would whip themselves bloody for penance. The black death was a contributing factor to their organization. They believed that by showing their penance through self mutilation would help remove the plague. Other sources say they believed this ritual helped them become closer to God by suffering pain for sin as Christ had.
     After the middle of the 14th century the sect dwindled in France, until the rise in religious civil wars in France in the mid-16th Century. The rise in the reformation contributed to the rise of the tradition. Even today the Flagellants practice and publicly show there penance. There are many reports of flagellants in the Philippines. If you are interested in seeing modern flagellant practices click here . Although, I am warning you that this is graphic, and if you have a weak stomach or have eaten recently I strongly advise you not to view this video. Consider yourselves warned.


Sources:http://www.oed.com/view/Entry/70904?redirectedFrom=flagellants#eid
             http://www.eyewitnesstohistory.com/flagellants.htm
             http://www.infoplease.com/encyclopedia/society/flagellants.html



The founding of the Society of Jesus

The founding of the Society of Jesus

On August 15, 1534, Ignatius and six friends vowed to spend their lives helping souls (Zophy). These men traveled around in Europe, along with the approval from the Pope. Which at the time was Pope Paul III, he also provided funds (Zophy).  They spent their time in such charitable activities such as nursing the sick, cleaning, removing garbage, digging graves, and burying the dead (Zophy). The Jesuits would later be established once they went to Rome to offer their services to Pope Paul III, there the Pope appointed them teaching positions at the University of Rome (Zophy). Ignatius (The guy in the painting) was elected as the first superior general of the Society of Jesus. Without him the society probably would not have established such strong ties with the Catholic Church, or even yet would not even been the most influential religious organization in history and changed the life of the Roman Catholic Church (Zophy). According to Zophy, Ignatius had wisely advised Jesuit missionaries to learn the language of the country where they were living. The courage, faith, and hard work of Jesuit missionaries resulted in widespread conversions to Roman Catholicism in Europe and throughout the world (Zophy). 

Source: Zophy. 

King Henry the VIII Artifacts!

"King Henry VIII," artist unknown

          I know that this subject may be a bit late to post on, but recently I remembered that I happen to have a couple of interesting King Henry VIII artifacts of my own from my trip to England this past spring.  The first is an oil painting from the National Portrait Gallery in London.  Just from looking at the portrait, you can tell that Henry definitely had a rich taste for clothing and other accessories.  He believed that clothing was a symbol of social class ranking, and strongly believed that since he was royalty, that he should have the latest in Italian and French fashions.  The greedy king imported furs, velvet, and gemstones from around the world, and, since he hated to wear anything twice, gave away several pieces of his wardrobe to lucky members of his court.  

      
          My second artifact is King Henry's armor, which can be found on display in the Tower of London.  I read on Jacob's post from last week that Henry was painted with proportions much different than he actually had, but being able to see his armor in person was mind-blowing; the picture doesn't do it justice at all.  This man was huge.  The armor pictured above is from his later years in life, and studies have concluded that this guy had a 52in waist and 53in chest, which is severe obesity in today's standards.  Going from his once 32in waist and 39in chest, I'd say he became just about as round as he was tall. 


Sources: 
http://www.royalarmouries.org/visit-us/leeds/leeds-galleries/tournament-gallery/henry-viii/henry-viii-portrait
http://www.dailymail.co.uk/news/article-1134222/King-size-Henry-VIIIs-armour-reveals-52in-girth--paid-terrible-price.html

anti-jesuits

The counter-reformation of the 16th century sparked a new ideology of the Catholic faith.  Ignatius Loyola realized the importance of a reformation of Catholicism and paved the way for the foundation of the Society of Jesus also known as the Jesuits.  However, the opposition to the counter-reformation from the protestant perspective remained; and in this image, the idea of anti-Jesuit propaganda is evident.   
The image is derived from an anti-Jesuit broadsheet the reveals the opposition of Jesuit views by protestants.  according to the online source, this broadsheet from 1569 portrays a devil-like Jesuit attempting to convert a protestant woman (online source).  However, the Jesuit is immediately killed by a protestant male, which signifies the strength of the protestant religion.  As reformers of this time have signified, the importance of non-Catholic ideas and rituals such as the seven sacraments and indulgences were of importance when designating religious ideology.  Ignatius Loyola's spin off of Catholicism was a reformation of Catholicism itself that kept the same views and ideals, with more focus on loyalty to the church, and an examination of inner-conscience (CP 204).  From the image above, we can see that, though the Jesuits were a reformed version of Catholicism, their views still did not line up with protestant believers, and essentially caused friction between the two; even many years after the Jesuit faith was established in the earlier 1500's.  Broadsheets such as this discuss the opposing arguments between the Jesuit and protestant ideas, and how far some were willing to go to assure that protestants would be informed not to be swayed by Jesuit views. 

Sources;

Course Packet compiled by Dr. Wolbrink
http://germanhistorydocs.ghi-dc.org/sub_image.cfm?image_id=3348

Wednesday, November 20, 2013

The Imitation of Christ


The Imitation of Christ is a book originally written in Latin by Thomas a Kempis. This German man wrote this book and today is considered only second to the Bible when it comes to religious books. The popularity of this book is shown by the replication of it. The Imitation of Christ has been translated into over 50 languages and has been publish in over six thousand editions.

Thomas a Kempis writes in this book about his own personal search for God and also gives instruction on reader's own relationship with God. His writings attempt to show others how to establish a direct relationship with God. As you can see from the title it teaches readers how to be like Christ essentially. The Imitation of Christ has four different sections of detailed spiritual instruction: 1) Counsels of the Spiritual Life 2) Directive for the Interior Life 3) Interior Consolation and 4) the Blessed Sacrament. The impact this book had on Catholic Christianity was extraordinary, even individuals such as Ignatius of Loyola admired and were influenced greatly by the writings of Thomas a Kempis.

http://en.wikipedia.org/wiki/The_Imitation_of_Christ

Zophy, p. 153

Francis Xavier

               This is a portrait of Francis Xavier, a Jesuit missionary who primary focused on spreading Christianity to Asia.  This painting hangs in the Kobe City Museum, and was done by an unknown Japanese artist around the time of 1620.  Although this paining was created a little after Xavier's death I still believe this is a very significant portrait.  While it is apparent that this piece of art has a much different style than Northern or Italian Renaissance art, there are still some striking similarities to the art seen in Catholic Churches.  The halo around his head and his direct communication with God are distinct Catholic traits.



                This painting is a symbol for the spread of Christianity and the dedication of the Jesuits.  Since Francis Xavier, who was later declared a saint, was so dedicated to the Jesuit mission he successful converted thousands of Asians to Christianity.  Not only did he convert them, but he also had a strong influence on their art.  This is a testament to how strong the influence of Christianity became in Japan and other Asian countries.  This painting also contains other symbols such as the communication with Christ.  This implies that only saintly people, and higher authority has direct communication with God.  From the portrait it is evident how successful the Jesuit mission was in the Asian culture.

A Nun's Life

Teresa of Avila was born on March 28, 1515, to a Toledo merchant and his second wife. Teresa mother died when she was only 15. Not long after the passing of her mother she was entrusted to the care of the Augustinian nuns. She committed herself to a religious life after she read the letter of St. Jerome. She joined the Carmelite Oder in 1535. She spent the next couple of years in this convent, until she became seriously ill. It was an illness that left her legs paralyzed for three years.

When she had a vision of "the sorely wounded Christ" it changed her life forever. She began to have of increasingly ecstatic experiences in which she came to focus more and more sharply on Christ's passion. Using these visions as a guide she began her attempt to master herself and her adherence to the rule. She began to gather a group of supporters, she strived to create a more primitive type of Carmelite. From 1560 until her death, Teresa fought to create and broaden the movement of Discalced, shoeless Carmelites. During the mid-1560s, she wrote The Way of Perfection and The Meditations on the Canticle. In 1567, she met St. John of the Cross, who helped her to extend her reform into the male side of the Carmelite Order. Teresa died in 1582.
(This image shows St. Teresa in her later in her life. I picked this one, because it portrays her as being very holy)

Tuesday, November 19, 2013

The Real Mother

(This image shows Catherine Parr as a younger woman, and was chosen because it is much more flattering than the later paintings done in her lifetime.)

Catherine Parr married King Henry VIII in 1543, the sixth and final wife to receive such favor (Zophy 236). Already being widowed twice before, left Catherine in a position to marry the old king, she cared for him dutifully in the last years of his life (Zophy 236). As his last wife, Catherine held a level of security the previous wives did not because he already had a male heir, and was slowing with his age. She also functioned as his personal nurse, which gave him a more happy last few years of his life, instead of being surrounded by anonymous doctors and nurses.

Yet the most interesting thing she did focus on was her attention to his children from previous marriages. She cared for them as her own. Finally, Mary, Edward and Elizabeth received a sense of normalcy in their newest mother. Instead of the revolving door of women in and out of their lives she stayed, even after Henry’s death in 1547 (Zophy 236). One specific incident that proves Catherine cared for the children concerned Elizabeth and the predatory Thomas Seymour’s desire for power and influence (Zophy 237). It is interesting because Thomas Seymour was already married to Catherine, yet he apparently saw better prospects for power in attracting her young step-daughter.

The Index


Title page of the Index (1564)
The concern of the Catholic Church over books, which are considered dangerous to the faith or morals of the Church dates back a long time. But in 1559 the first catalog of banned books was actually published. The Index or at full length Index Librorum Prohibitorum (Latin for “Index of Forbidden Books”) was drawn up by order of Pope Paul IV and published by the Sacred Congregation of the Roman Inquisition. The list specified books as unholy, heretic or dangerous to the Catholic religion and included writings of Calvin, Luther, Zwingli, Erasmus, Machiavielli, the Koran etc. Some works were prohibited because of the words the author used or for the life of the author himself; sometimes for both. The Index was an implementation of the Roman Catholic Church to prevent the contamination of the faith or the corruption of morals through the reading of theologically flawed books.

With the invention of the printing press in Europe in the middle of the 15th Century, the problem of control increased. As more books were written, copied and increasingly widely disseminated, subversive and heretical ideas were spread beyond control. Therefore, the purpose of the Index was on the one hand to guide censors of what publications to authorize because printers were not free to publish books without official permission. On the other hand it condemned published books that were judged to be harmful regarding the Catholic believes. It is important to understand, that the Index was never a complete catalog of forbidden reading but those that ecclesiastical authority was asked to act upon. It is still unclear in which way the Index limited the spread of Protestant doctrines since they were already known and shared in Europe. Zophy claims that it at least “had a chilling effect on the freewheeling exchange of ideas that had been such a stimulating part of the Renaissance” (Zophy 264).
Fact is the last and 20th edition of the Index appeared in 1948. The complete publication of the list was suppressed not until 1966 under Pope Paul VI. Today the Index has the status of a historic document.


Sources:
Zophy 264

http://www.britannica.com/EBchecked/topic/285220/Index-Librorum-Prohibitorum

http://www.fordham.edu/halsall/mod/indexlibrorum.asp

Friday, November 15, 2013

Henry VIII's love letters to Anne Boyleyn

Henry VIII wrote Anne Boleyn a collection of love letters. Anne Boleyn was the soon to be second wife after he fought many years with the Catholic Church to divorce his first wife Queen Katherine.  Here is an example of one of his many love letters to dear Anne Boleyn, written in February 1528-
DARLING, these shall be
only to advertise you that this
bearer and his fellow be despatched
with as many things to compass our
matter, and to bring it to pass as our
wits could imagine or devise; which
brought to pass, as I trust, by their
diligence, it shall be shortly, you and
I shall have our desired end, which
should be more to my heart’s ease,
and more quietness to my mind, than
any other thing in the world ; as, with
God’s grace, shortly I trust shall be
proved, but not so soon as I would
it were; yet I will ensure you that
there shall be no time lost that may
be won, and further can not be done;
for ultra posse non est esse*. Keep him
not too long with you, but desire
him, for your sake, to make the more
speed; for the sooner we shall have
word from him, the sooner shall our
matter come to pass. And thus upon
trust of your short repair to London,
I make an end of my letter, my own
sweet heart.


His letters were detailed yet simple and romantic.  Through his letters we can see that he truly had deep feelings for Anne, but we cannot forget the tragic ending to their affair when she was not able to bear him a son. We could even argue that King Henry just wanted something he couldn't have, and the chase made her more appealing to him but once he was able claim Anne as his queen and once she bears him a baby girl, he was so quick to end their affair. It makes me wonder if his feelings to Anne were truly sincere or just because she promised him she would bear him a son. 


source from:

The Ring of the Reformation

The marriage between Martin Luther and Katharina von Bora happened two years before Luther first began to truly organize his new Church. Luther had always argued against celibacy, but his marriage with Katharina was like the seal of approval on clerical marriage (despite the fact that several formal priests and monks were married earlier). Obviously since this was such a special occasion, you would expect Luther to get his beloved a special ring to match this monumental event. According to artist Lucas Cranach, Luther did just that.


    Pictured above is Katharina von Bora wearing her beautifully adorned wedding ring. The ring was said to have been made with all gold. In the center of the ring was a crucifix made complete with a figure of Christ the Savior being stabbed in the side with a spear. Finally the ruby itself was deep red, the color of Jesus' blood and underneath the stone was the couple's names and their wedding date in German. 

    While the original ring is said to have went missing, here is an accurate replica of the ring so that you can get a closer look at the beauty and intricacy of it.

Thursday, November 14, 2013

Henry’s Many Wives


While Henry was still married to his first wife, Catherine, he became infatuated with Anne Boleyn. He began to worry that his current marriage was cursed by God, since the Old Testament had a ban on marring the widow of one’s brother. Thus, he decided the best thing to do was to get an annulment, thus allowing him to remarry.
In 1533, the king determined that he did not need the pope’s permission to rule on issues that affected the Church of England and that he could marry Anne. So wed they did, and soon after they welcomed a daughter, named Elizabeth, into the world.
Their marriage lasted for a few short years, until he met Jane Seymour. Henry lost interest in his “great love” Anne after she delivered a stillborn son. Within six month he managed to execute Anne for treason. Thus, freeing himself up to marry Jane.  Jane was able to quickly produce him a son, but died only two weeks later.
Now it was time for marriage number four. She was the ruler of a Protestant duchy in Germany. However, it only took Henry a few days to be over this marriage and ready for the next. Henry had the marriage annulled. Next, he married Catherine Howard. Oddly enough, after two years she too was beheaded for treason and adultery. His final marriage was to Catherine Parr. She was the only wife to survive being married to him. Luckily, she was able to outlive him.
Sources:

http://www.history.com/topics/henry-viii

Love Letters

               As we talked in the class Henry VIII was an avid writer.  Not only did he write such extravagant works such as The Defense of the Seven Sacraments, he wrote personal journals and letters.  These letters and journals offer an interesting point of view.  While we typically see Henry as the triumphant, war bound, glorious King, these personal accounts give new insight into the mind of Henry as a person, not a King.  As we all know Henry loved Anne Boleyn, almost border line obsessed, his secret marriage is evidence of that.  While Henry was still trying to court Anne Boleyn he sent her a series of love letters, one of which is shown below.

             
               This specific letter goes into great detail of his emotions he felt for Anne Boleyn.  Towards the end of his letter he lets her know that she is the only one he desires.  He lets her know that he prays to God every day that they see each other again.  Another interesting fact about this letter is that at the bottom he wrote something similar to "H. and AB forever" and her initials were in a heart that he drew.  While Henry may have been ruthless to some of his wives this letter still is a great testament to the love and emotion he felt for Anne Boleyn at one time.

Arthur Tudor



As we have discussed Henry VII in class, and have viewed some of the musical and historical accounts of his life, one question I had was what exactly happened to his children?  We have learned that Henry the VII stumbled through many marriages and produced a number of offspring.  His ultimate goal was to conceive a son to become heir to his throne.  Arthur Tudor, pictured above, was the son of Henry VII and was born a mere eight months after Henry's marriage to Elizabeth of Yorkshire. 

Henry had great plans for Arthur, and appointed him the prince of Wales at a very young age.  At just three years old Arthur was Knighted, and by seven he was sent away to learn the ropes as a prince.  The painting above depicts Henry Tudor as a young man in 1502.  As we can see he is dressed in elegant clothing that portrays his high status, and is accompanied by a variety of jewelry.  From the picture, one might see Arthur as more of a boy than a man, which essential is what he was at the time he obtained his prince hood.  For Henry, the grandiose views of a son that would proceed him wrote the history of Arthur.  The depiction of Arthur in this painting and in his known history sums up his life as the son of Henry VII who was an interesting character in himself.  The fascination of Henry often focuses more on his life than on the lives of his children or wives, and this piece help bring to light one of the many offspring of the infamous king.

Sources:
http://thefreelancehistorywriter.com/2013/04/01/arthur-tudor-prince-of-wales/

Katherine Parr

  
          Many people know off all the scandals that King Henry VII caused during his reign. From his 6 wives, to their beheading, to this constant battle for a son, everything he did it considered fairly common knowledge to this time. But many people do not know about the scandals within his wives.While some wives wee accused of adultery and incest, evidence says now most of these accusations were for King Henry to have a reason for ridding the old wife and finding a new, younger "better" one. After doing some research on his wives, I found some risque acts involving King Henry's last wife, Katherine Parr. 
          Katherine Parr was born in 1512, thought the exact day of her birth is unknown. She was named after King Henrys first wife, Catherine of Aragon. Parrs mother, Maud Green, was along with Catherine of Aragon during the Kings courting process in his early reign. (King Henry's last wife was named after his first, which is kind of silly to me.) Prior to her marriage with King Henry VII, she was married 3 times before. At the age of 17 she married a man named Edward Borough, though he died some years after. Her second marriage was to John Neville, third Baron Latimer of Snape Castle in Yorkshire. She was 22 and he was 41. Neville died in 1543, leaving Katherine widowed once again, now at the age of 31. It was at this time that she was noticed by the King and a man named Thomas Seymour, who was the brother of King Henrys 3rd wife, Jane Seymour. Even though Katherine had expressed feelings to marry Thomas Seymour, she felt King Henrys request was an offer she could not refuse.  
          Katherine Parr and King Henry VII had a seemingly decent marriage. She was close to all three of her step children and helped in the education of the younger 2. King Henry fell ill and died in January of 1547. 
          Only a few short months after the death of the King, Katherine secretly married Thomas Seymour-the man she originally  was seeking interest in before her prior marriage. While there is no actual evidence that she had any type of affair with Seymour, one can imagine why they hastily married in secret. When their marriage arose to the public, it created a scandal during this time. 


Do you think Katherine Parr was unloyal to King Henry VII during their marriage?



Sources:
http://www.elizabethfiles.com/catherine-parr-and-thomas-seymour-part-one/3641/
http://tudorhistory.org/parr/

An Allegory of the Reformation

Edward VI and the Pope, an Allegory of the Reformation
The painting I chose for this weeks post represents the handing over of power from Henry VIII to his son Edward VI. About the origin of the painting itself little is known. The artist is unknown and art historians even debate over the date it is produced. Some claim that it is a contemporary work, which was produced right after Henry’s death in 1547 while others believe it was produced during the 1560s. The National Portrait Gallery of London, where the oil painting is exhibited today, dates it around 1570.
           
However we don’t know much about the origin of the painting, the content of it is reflects clearly the beginning of the Reformation in England. Henry VIII lies in his bed pointing to his son Edward VI, who sits on a dias in a throne next to him. Since Edward was only ten years old at the time his father died, Henry VIII named sixteen executors in his will, to act as Edward's Council until he reached the age of 18. Some of the council members are depicted around the table. Right next to Edward’s side stands his uncle, Edward Seymour, 1st Duke of Somerset and Lord Protector. At the top right we can figure out a picture of iconoclasm. Men are pulling down and smashing idols, which was an activity approved of by a lot of English religious reformers.
            
At the bottom of Edward’s feet a book falls onto the slumped figure of the pope. The book shows a text from Isaiah: "The Worde of the Lord endureth for ever". The ribbons around the pope reads: “idolatry” and “supersticion”, on his chest is written “all fleshe is grasse”, which is also a quote out of Isaiah and it means that every body is ephemeral. We can also see the words “feyned holiness” next to it.

The bent body of the pope and all the words around him, and also the way the pope points a triple cross towards two monks, who are chained to Edward's dais deliver the clear message of splitting with the Catholic Church. The English  Reformation started under Henry VIII but was fully accomplished under his son, Edward VI. It was not only Edward but also his uncle Seymour, who played a major role in the events at these changing times. Because of all the indications in the picture and the clear message it delivers, it is regarded as a piece of contemporary propaganda.

Sources:

John Calvin...and Hobbes


 philosophersguild.com

So in the midst of me creating this witty pun for this week's blog, I did a little research to see if there was a parody cartoon I could use as a pictorial reference and discovered something surprising.  Apparently the character Calvin is based off of John Calvin, and Hobbes is based off of Thomas Hobbes, a theologian and philosopher respectively.  Since these two lovable characters were actually based off of famous figures in history, I decided to see if there were any further similarities in character besides the sharing of names.  To my delighted surprise, there actually were.

  Painting of Calvin by Hans Holbein the Younger

The Calvin we all know and love was a kid that seemed much older and more mature for his age, and had very specific and sometimes odd views concerning personal ethics and politics.  John Calvin was the same in that he strongly believed in predestination as well as strict rules concerning church ethics.  In fact, there is a comic strip that hones in on John Calvin's beliefs, hidden almost in-between the lines.  Calvin is quoted as saying to Hobbes, "If you ask me, the whole notion of 'instant gratification' is a myth!"  Historically, John Calvin did believe in this idea, simply because he believed that all of human life was pretty much preordained and that there wasn't anything one could do about that fact.  Both Calvins questioned the true meaning of life, however subtly, and I believe that there are lots of little 'historical nuggets' to be found in the cartoon in addition to the numerous John Calvin references.   


Sources:
http://www.dailyrepublican.com/calvin-hobbes.html
Zophy's Renaissance and Reformation Europe
Class Discussion

You can find a snazzy t-shirt version of the cartoon pic here!!:  http://www.philosophersguild.com/Calvin-and-Hobbes-T-shirt.html

Holbein's Anne of Cleaves

cleves 
This is the portrait of Anne of Cleaves Hans Holbein of Augsberg painted for King Henry VIII. Anne was the King Henry's bride to be after his third wife, Jane Seymour, died. King Henry had never seen or met Anne of Cleaves, but Thomas Cromwell thought it would be good for the king to marry someone of a Protestant dynasty. The king was leery about Protestantism, but Cleves was not getting along with Charles the V just like England. So as a result, Henry decided to go through with the marriage. However, because King Henry had never seen her he seen Anne he sent Hans Holbein to paint her and return, too bad they didn't have snapchat. 
Whenever Holbein returned with the painting the king was pleased with Anne and allowed the finalization of the wedding. However, afterwords upon the actual meeting of the two the king changed his mind on being attracted to Anne and quickly annulled the wedding. He believed Hans Holbein's painting was misleading that it covered up the effects of smallpox. This goes to show Henry's views on marriage. He obviously only wanted a young woman that was beautiful and gave birth to only living sons. That couldn't have been too hard (sarcasm). Giving birth in this time period was dangerous and the fact that Henry wanted his wives to give birth multiple times and expected sons is absurd. 

Holbein's Henry VIII

Hans Holbein the Young (aka jr.) 's Portrait of Henry VII is arguably one of the most iconic and most well known portrait of Henry (see below left). Plot twist: the portraits we see today in full color are actually copies of the original that was lost in a fire. Plot twist #2: the original wasn't a portrait at all, but was a mural that included 3 other people, his wife Jane Seymour and his parents Henry VII and Elizabeth of York. Holbein, as the appointed kings painter, was commissioned to paint this mural of the family for Henry's privy chambers in the Palace of Whitehall. This was likely to of happened between 1536-1537, due to the fact that Jane and Henry were together at this time. As mentioned, this mural was lost in a fire caused by a maid doing laundry. Fortunately for our class and scholars alike, Charles II commissioned a copy of the mural with a Flemish painter named Remigius Van Leemput in 1667 (see below right). 
Copy of the Whitehall Mural, c.1667
Remigius Van Leemput, after Holbein
Portrait of Henry VII(copy), c.1536-1547
Artist Unknown
As you can tell, this copy influenced many future painters which can be seen in the many similar portraits of Henry that exist today. His stance is always the same and his royal garb is pretty consistent throughout the copies. We know today that vanity proportioning was applied in these portraits- are we surprised? In real life Henry's legs were much shorter in relation to his body (we know this because there are remaining pieces of his armor), and that, quite obviously, his shoulders weren't that broad-however, his royal garb did make him appear broader and more daunting. Notice that Henry clutches a sword in this left hand in all the portraits. This is thought to have been included to intimidate and show off his wealth. 

This is the one remaining Holbein of Henry that is believed to have been the warm up drawing of sorts for the painting of the Whitehall Mural. (below) 

Portrait of Henry VII, c.1536
Hans Holbein, the Younger
 Fun Fact: Some say that this famous depiction was used for means of propaganda during his rein-  a way to boost his ego while at the same time slipping in hidden anti-henry messages into the various portraits being copied of him. 

Sources: 
http://smarthistory.khanacademy.org/holbeins-henry-viii.html
http://www.luminarium.org/renlit/henry8face2.htm
http://en.wikipedia.org/wiki/Portrait_of_Henry_VIII
http://www.pastscape.org/hob.aspx?hob_id=404943

Tuesday, November 12, 2013

The Woman Who Supported Calvin


(These two images show Renée of France, both done during her lifetime, the one on the left obviously being an earlier portrait done by Jean Clouet, the second portrait done by François Clouet.)

Renée of France, the duchess of Ferrara offered sanctuary to Jean Calvin during his travels; specifically she invited him to visit her court in Italy in 1536 (Zophy 216). Her more conservative husband, Duke Ercole II did not enjoy Calvin’s stay. By 1540 Calvin had succeeded in convincing Renée to stop practicing Roman Catholicism altogether. Her husband responded by first taking away her children, and then allowing her to be sentenced and imprisoned for heresy in 1554. She signed a form of recantation and was released, a lucky situation indeed. With his death in 1559, Renée returned to France the following year and offered a safe place for Calvinists to stay inside of France.

Renée always enjoyed allowing the various religious reformers to visit her court. The group she paid the most attention to was the French Protestants offering them safety when being pushed out of France in response to Calvin’s activities. Duke Ercole did not enjoy this; he viewed them as heretics and dissenters (Zophy 216). Yet she also allowed intellectual thinkers into her court as well. The humanist Olympia Morata was brought for a visit, as well as Clément Marot, a famous French poet. For her life, Renée held quite a strong perspective on intellectual and religious beliefs, even if it brought problems into her marriage, which ended after thirty-one years together, due to the duke’s death. Her own death in 1574 came after a lifetime of support for various religious opinions and ideas.

Information not found in Zophy: