Edward VI and the Pope, an Allegory of the Reformation |
The painting I chose for
this weeks post represents the handing over of power from Henry VIII to his son
Edward VI. About the origin of the painting itself little is known. The artist
is unknown and art historians even debate over the date it is produced. Some
claim that it is a contemporary work, which was produced right after Henry’s
death in 1547 while others believe it was produced during the 1560s. The
National Portrait Gallery of London, where the oil painting is exhibited today,
dates it around 1570.
However we don’t know much about the origin of the
painting, the content of it is reflects clearly the beginning of the
Reformation in England. Henry VIII lies in his bed pointing to his son Edward
VI, who sits on a dias in a throne next to him. Since Edward was only ten years
old at the time his father died, Henry VIII named sixteen executors in his will,
to act as Edward's Council until he reached the age of 18. Some of the council
members are depicted around the table. Right next to Edward’s side stands his
uncle, Edward Seymour, 1st Duke of Somerset and Lord Protector. At the top
right we can figure out a picture of iconoclasm. Men are pulling down and
smashing idols, which was an activity approved of by a lot of English religious
reformers.
At the bottom of Edward’s feet a book falls onto the
slumped figure of the pope. The book shows a text from Isaiah: "The Worde of
the Lord endureth for ever". The ribbons around the pope reads: “idolatry”
and “supersticion”, on his chest is written “all fleshe is grasse”, which is
also a quote out of Isaiah and it means that every body is ephemeral. We can
also see the words “feyned holiness” next to it.
The
bent body of the pope and all the words around him, and also the way the pope
points a triple cross towards two monks, who are chained to Edward's dais deliver
the clear message of splitting with the Catholic Church. The English Reformation started under Henry VIII but was
fully accomplished under his son, Edward VI. It was not only Edward but also
his uncle Seymour, who played a major role in the events at these changing
times. Because of all the indications in the picture and the clear message it
delivers, it is regarded as a piece of contemporary propaganda.
Sources:
I really like this painting! It shows how even though Edward was the King, the country was being run by a council of men appointed by his father.
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