It was not
until the Renaissance that childbirth was depicted in art. With one in ten
pregnancies ending in death for the mother, the art is overly optimistic: the
mother is shown sitting up cradling her new child smiling, the midwife in the
background. Only two pieces show the risks that come with childbirth- both
tombs.
The first Tomb
belongs to Ilaria del Carretto, the wife of the wealthy Lucchese merchant Paolo
Guinigi. It was created around 1405 in Lucca Cathedral by sculptor Jacopo della
Quercia. It shows her in fine gowns, hands on her rounded stomach- emphases on
the cause of her death. It joins many pieces commissioned by husbands after their wives deaths, though the only to show the wife dead.
The only depiction of childbirth
that exists that ends in tragedy is a scene shown on the tomb of Francesca Pitti Tornabuoni
and her stillborn child, wife of Giovanni Tornabuoni. Created by Andrea del
Verrocchio in 1477 in Florence, the scene has two parts. On the left side it
shows seven men and three women, an elderly woman presenting the stillborn child
to the father. On the right eight women are surrounding the barely alive
mother; one holding her up, one checking for a pulse, and one crouched on the
floor over the lifeless body of the baby.
Very interest! I enjoyed learning about the scene and how it has two parts.
ReplyDeleteVery interest! I enjoyed learning about the scene and how it has two parts.
ReplyDeleteAgreed, this is very interesting but also on the disturbing side that an artist decided to paint a scene with a lifeless child's body. Definitely a dark side to art in the Renaissance.
ReplyDelete