As we have studied, the
Reformation occurred contemporaneously with some major pockets of witch-hunting
in German regions and elsewhere. The atmosphere of religious fervor, growing bureaucracy,
and the religious upheavals/resulting societal expectations contributed to the appearance
of witch-hunts. However, there were many factors involved and I chose this
particular woodcut to examine the witch-hunts in relation to the influence of
the Reformation. Entitled “The Bewitched Groom,” this woodcut was produced by Hans
Baldung Grien in 1544.
Although not
necessarily focused on witches, the woodcut is telling in a number of ways. For
one, the witch-like figure leaning in by the windowsill appears old and is
waving a sort of broom or possibly plant stalk in a violent manner. Secondly,
the male figure is drawn at such an angle as to emphasize male sexuality, even
as he has been rendered unconscious or at the least, knocked down. Importantly,
his tools lay loosely by him, un-useful in his bewitched state. Moreover, the
horse stands with his rear towards the main figure, which suggests the inverted
or unnaturalness of the scene overall. Reformation ideals called for the man to
be the powerful and moral leader of the house, while women were expected to be
obedient wives and mothers. This woodcut displays the fear of non-conformity to
such order. As described, the woman’s age, appearance, and action make her
unsuitable for female domesticity. The male is bewitched and again, not able to
carry out his duties. Overall, this demonstrates how the Reformation, rather
than a free flow of religious debate, became a rigid sort of structuring
mechanism for society, in which notions of gender influenced the occurrence of
witch-hunts.
For a clearer image/info- http://www.metmuseum.org/art/collection/search/336238
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